Countless other characters pass out and in of this rare charmer without much fanfare, however thanks for the film’s sly wit and fully lived-in performances they all leave an improbably lasting impression.
Wisely realizing that, despite the centuries between them, Jane Austen similarly held great respect for “women’s lives” and managed to craft stories about them that were silly, frothy, funny, and very relatable.
More than anything, what defined the decade was not just the invariable emergence of unique individual filmmakers, but also the arrival of artists who opened new doors for the endless possibilities of cinematic storytelling. Administrators like Claire Denis, Spike Lee, Wong Kar-wai, Jane Campion, Pedro Almodóvar, and Quentin Tarantino became superstars for reinventing cinema on their individual conditions, while previously established giants like Stanley Kubrick and David Lynch dared to reinvent themselves while the entire world was watching. Many of these greats are still working today, and the movies are each of the better for that.
, John Madden’s “Shakespeare in Love” is really a lightning-in-a-bottle romantic comedy sparked by one of the most self-assured Hollywood screenplays of its decade, and galvanized by an ensemble cast full of people at the peak of their powers. It’s also, famously, the movie that defeat “Saving Private Ryan” for Best Picture and cemented Harvey Weinstein’s reputation as on the list of most underhanded power mongers the film business experienced ever seen — two lasting strikes against an ultra-bewitching Elizabethan charmer so slick that it still kind of feels like the work on the devil.
The awe-inspiring experimental film “From the East” is by and large an work out in cinematic landscape painting, unfolding being a series of long takes documenting vistas across the former Soviet Union. “While there’s still time, I would like to make a grand journey across Eastern Europe,” Akerman once said of the drive behind the film.
Unspooling over a timeline that leads up on the show’s pilot, the film starts off depicting the FBI investigation into the murder of Teresa Banks (Pamela Gidley), a sex worker who lived in the trailer park, before pivoting to observe Laura during the week leading nearly her murder.
This Netflix coming-of-age gem follows a shy teenager as she agrees to help a jock win over his crush. Things get complicated, even though, when she develops feelings to the same girl. Charming and authentic, it will finish up on your list of favorite Netflix romantic movies in no time.
That’s not to convey that “Fire Walk with Me” is interchangeable with the show. Jogging over two hours, the movie’s temper is much grimmer, scarier and — in an unsettling way — sexier than Lynch’s foray into broadcast television.
Tarr has never been an overtly political filmmaker (“Politics xxxvedios makes everything also easy and primitive for me,” he told IndieWire in 2019, insisting that he was more interested in “social instability” and “poor people who never experienced a chance”), cosplay stud barebacked by bf for xmas but revisiting the hypnotic “Sátántangó” now that Hungary is during the thrall of another authoritarian leader reflects both the recursive arc of new history, along with the full power of Tarr’s sinister parable.
Most American audiences had never beeg live seen anything quite like the Wachowski siblings’ signature cinematic experience when “The Matrix” arrived in theaters in the spring of 1999. A glorious mash-up on the pair’s long-time obsessions — everything from cyberpunk parables to kung fu action, brain-bending philosophy to the instantly inconic impact known as “bullet time” — several aueturs have ever delivered such a vivid vision (times two!
Of the many things that Paul Verhoeven’s dark comic look at the future of authoritarian warfare presaged, the way that “Starship Troopers” uses its “Would you like to know more?
For such a singular artist and aesthete, Wes Anderson has always been comfortable with wearing his influences on his sleeve, rightly showing confidence that he can celebrate his touchstones without resigning to them. For evidence, just look at the way in which his characters worship each other in order to find themselves — from Ned Plimpton’s childhood obsession with Steve Zissou, on the moderate awe that Gustave H.
This underground cult classic tells the story of the high school bang bros cheerleader who’s sent to conversion therapy camp after her family suspects she’s a lesbian.
, future Golden World winner Josh O’Connor floored critics with his performance for a young gay sheep farmer in Yorkshire, England, who’s battling with his sexuality and budding feelings for lena paul the new Romanian migrant laborer.